BugoDelay

Four engines. Two independent delay lines. Diffusion that turns repeats into space.

A stereo delay with four sound engines in the feedback path, diffusion that turns repeats into space, and fully independent left and right delay lines.

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Four Sound Engines

Every repeat passes through the engine you choose. Switch the character of the feedback loop instantly — from soft and round to dirty and worn — then add DIFF to smear the repeats into a reverb-like space.

Warm: Round, soft repeats that sit behind the source and fill the space without competing for attention.
Tape: Repeats with the color of a tape echo — each pass a little more saturated and a little further away.
Clean: Transparent, precise repeats for when the delay has to stay out of the way of the original.
Vintage: Distortion and noise in the loop for repeats that feel old, gritty and alive.

Vocal, Warm. Press play, then switch takes while it runs.

Recorded through BugoDelay in Logic Pro. Every take is level-matched to the dry vocal, so you hear the repeats, not a volume jump.

Where BugoDelay earns its slot

Vocal slap & throws: A short slap to thicken a lead vocal, or a long dark throw at the end of a phrase. DUCKING pulls the repeats down while the vocal sings and lets them bloom in the gaps.
Wide stereo: Set TIME L and TIME R independently for ping-pong patterns and asymmetric echoes, then open it up with WIDTH.
Diffused space: Engage DIFF to blur the repeats into an ambient, reverb-like tail — space and rhythm from one plugin on one send.

BugoDelay, up close

BugoDelay: Four engines over two delay lines — **Four engines over two delay lines** Warm, Tape, Clean and Vintage sit above independent left and right delay times.

BugoDelay: DIFF — **DIFF** One button blurs the repeats into a reverb-like tail.

BugoDelay: Width and Ducking — **Width and Ducking** Spread the repeats wide, and pull them down while the vocal sings.

Every control, and what it’s for

8 controls on the panel. Nothing hidden in a menu.

TIME L / TIME R: Independent delay time per side, 1–2000 ms. Click the readout to lock either side to the host tempo.
FEEDBACK: How many repeats, from a single slap to a long trail.
WARM / TAPE / CLEAN / VINTAGE: Choose the sound engine in the feedback loop.
DIFF: Diffusion on the repeats for a reverb-like smear.
DUCKING: Lowers the delay automatically while the dry signal is loud.
LO CUT / HI CUT: Filter the repeats to keep the low end clean and tame the top.
WIDTH: Stereo width of the delayed signal.
MIX: Dry/wet balance. Opens at 100% for use on a send or bus.

Will it run on my system?

Formats: Audio Unit (AU), VST3
OS Compatibility: macOS 10.13 or later
Architecture: Universal — Apple Silicon and Intel
Factory Presets: 8 (AU)

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